Current Favorites

I wrote a couple of music reviews that Fidel Castro said are the shizzinit. So why not put them on Current Favorites since they won't be seen anywhere else.

Music

Dolorean You Can't Win

Are you wearing out your Wilco albums? Have you always preferred your Neil Young “Helpless”? Then Portland, OR band Dolorean want to be your drinking buddy. On their third proper album, You Can’t Win, lead singer and songwriter Al James explores just that idea, “You can’t win”, to a resigned and heartbreaking end.

While their sound isn’t terribly original, it has a haunting quality. It’s heavily indebted to the aforementioned Neil Young and Wilco. James’ voice lacks a lot of the dynamism of a Young or Tweedy however, and it never moves away from their most melancholy elements.
That’s not to say that You Can’t Win is a bad album. On the contrary. Opening with the title track, a keyboard drone slowly moves to the forefront as James repeats “You can’t win” like a mantra. From here, Dolorean doesn’t stray far from a folksy feel. Piano on “We Winter Wrens” conjures up a countrified Counting Crows and shows a brief glimpse of whimsical melody. However, James’ voice never goes above a disheartened mumble, tempering the track’s attempts at building momentum.

This often suits James, such as on the standout track “Beachcomber Blues”, which aches with each refrain. But just as often, James sounds like he’s about to fall asleep at the mic. James doesn’t have an optimistic bone in his body. Whereas similar acts like Jason Collett are defined by an undaunted optimism, Dolorean leave no room for that sort of thing. You Can’t Win has no rousing rockers.

This could hurt the disc a lot more, except that You Can’t Win creates perfect atmosphere. And in this atmosphere, the lyrics come to the forefront. James is a talented writer, and nowhere is it more apparent than on “What a Bottle Can Do”. While sticking to a familiar theme of drinking to forgot a lost love, the song avoids cliché. It celebrates getting rid of thought, be it through drinking or less destructive means.

In the end, the album feels like a quiet walk on brisk autumn day. As James sings in “What a Bottle Can Do”, “I’ve grown quite fond of what one bottle can do.” In a sense, the album replicates that feeling well. It’s a numb feeling that doesn’t feel bad or good. But it can be beautiful. You Can’t Win makes itself a perfect companion for a melancholy day when winning seems just out of reach.

7/10

Suggested Tracks: “Beachcomber Blues”, “Buffalo Gal”, “What One Bottle Can Do”

Nurse & Soldier Marginalia

Boasting a band name that sounds like a kinky game played by bored couples, “Nurse & Soldier” drop Marginalia. A band with this name should conjure up some Harlequin scene with some romantic, pre-WWI type of connotation to it. However, “kinky” is a more apt description of what Marginalia isn’t.

Strange, then, that much of Marginalia music reminds the listener of Tricky’s classic Maxinquaye, which is hyper-sexed in a so wrong it’s right sort of way. Beyond sharing a romantically linked man-woman duo (Oneida front man Bobby Matador and Erica Fletcher are the Soldier and Nurse respectively), the two albums are so divorced from a grounded reality that it leads the listener to start thinking in new ways.

To say they hold much more in common, would be stretching things farther than they should really go. First of all, Maxinquaye is a much better album, and to suggest that Marginalia plays in its league would be far too generous. However, while I’m selling Nurse & Soldier’s effort short, I don’t mean to. It’s still an interesting album.

Most interesting is the album’s notable lack of percussion. This functions to create the aforementioned schism from grounded reality, notably on tracks like “Green Tea” and “North of Baltimore”. Both employ an organ drone, but “North of Baltimore” gets better results, letting Fletcher’s vocals float over the proceedings. While the drums find their way into some songs, it’s to add a dose of conventionality, such as in “Lies and Alterations”, which, while serviceable on their own, function to bring down the atmosphere of the overall album.

When Nurse & Soldier remain atmospheric they stay strong. However, only with very rare occasion do they create something coherent. “Green Tea” is notable for being interesting but never actually going anywhere, ultimately frustrating. Only on “In the Dark” and “North of Baltimore” do Nurse & Soldier really bring it all together. In most cases, like “Imaginary Friend”, they’re content to just let distorted guitar wash over the listener. It’s effective, if not completely compelling.

While this is interesting, it would be nice if Nurse & Soldier grounded themselves with something. Maxinquaye had sex to connect it to the ground. Nurse & Soldier, like idle thoughts that flit from the minds attention before proper time can be given to them, comes and goes before they have much of an impact. It’s fun listening for awhile, but nothing will hook you in for later.

7/10

Suggested Track: "North of Baltimore", "In Yr Corner", "Lies and Alterations"

Movies

I was happy to see Martin Scorcese win an Oscar. Well, I didn't see it, I heard about it. But, hey the guy deserves it, and The Departed was a hell of a film to win it for.

Some movies I saw recently.

Chinatown - While I almost fell asleep during it, this is more of an idictment of my job than of the movie. Highly recommended. 8/10

Marie Antoinette - A good movie. It humanizes the French royals to an extent that is very impressive. The use of modern music was a good move. Bonus points for using The Strokes' "What Ever Happened" in the movie. One of my favorite songs ever. The girlfriend seemed extremely conflicted and was apparently having some sort of existential crisis. I on the other hand was not nearly so affected. 7/10

Books

Natsume Soseki Kokoro - I had to read this for my East Asia class. It's a quick read and deceptively simple. But there's a wealth of stuff in their. According to the experts, its about loneliness. I guess I get that, but I thought it had a Goodbye to All That, "The Times They Are A' Changin'" type of vibe to it. It's the best book I've read in awhile. 8/10